答:和没有和解相关的剧情片有 :魏群马明宇有没有和解没有和解协议可以撤诉吗没有和解书能缓刑吗没有和解书可以取保候审吗没有和解协议书如何认定和解没有和解书能判缓刑没有和解书保险公司不赔吗没有和解协议没有和解协议撤案怎么办没有和解书可以撤案吗没有和解书保险不赔精神抚慰金么张婉芳庆尘最后有没有和解没有和解可以交罚款不拘留吗
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
Copyright © 2008-2023