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《不安》是哪些演员主演的？
答：本片(剧)又名不安，是一部其它制片作品的剧情片，于1954年上映，英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特等领衔主演。对白语言为其它。《不安》是什么时候上映/什么时候开播的？
答: 2024-06-05，详细日期也可以去百度百科查询不安如果播放卡顿怎么办？
百度贴吧网友：播放页面卡顿可以刷新网页或者更换播放源。问：在哪里可以免费观看不安？
答：不安剧情片全集完整版免费在线观看地址: http://www.huadingled.com/xiafan/buan问：和不安相关的剧情片有哪些？
答：和不安相关的剧情片有 ：不安腿综合症怎么治疗不安三部曲不安抗辩权不安腿的最佳治疗方法不安的拼音不安腿综合症一般能活多少年不安腿有什么症状不安四字成语不安腿综合征症状表现不安于室 卡比丘不安腿症最有效的治疗方法不安腿综合征是什么原因导致的不安的英语不安的近义词不安于室不安的反义词不安腿综合症的症状有哪些不安腿综合症吃什么药最好不安腿综合征的表现不安腿综合征不安本分
问：手机版免费在线点播《不安》哪些网站还有资源？
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
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